10/12/15

exploring the vast Tokyo subway system

Over the course of many decades, cities have continuously grown, mostly physically, but also in terms of population. Throughout the multiple decades of such continuous growth, there has been an aspect of city life that has mostly remained the same, however: public transport, particularly “below ground”, in subway and other train tunnels. Two of the main examples of cities “leveraging” subway/other forms of trains for their benefits, and for the benefits of their citizens, have been cities that might very well look similar to most people: New York City (mostly in the “borough” of Manhattan), and Tokyo, Japan, which, like most of the rest of the country, grew from nothing after World War II to become its current, almost “post-modern” self. The transit system in New York City might have started first, as “Interborough Rapid Transit” in 1903, and “Brooklyn (another “borough” in the city) Rapid Transit” in 1908, changing its name to “Brooklyn-Manhattan (the “’main’ borough” in the city) Transit” in 1923, all before what is now the Ginza Line of the Tokyo Metro started, as the “Tokyo Underground Railway” (Tōkyō Chika Tetsudō) in 1927, and, arguably, the MTA system, as it’s now known, might have experienced lower “lows” than the Tokyo Metro, particularly in the 1970s and 80s, but, even so, it does seem as if Tokyo, and its “Metro”, took advantage of the struggles, at one point or another, of various U.S. transit systems, in order to become, arguably, the most modern “subway” system on the planet today, and has continued to outpace the MTA, even as the MTA has slowly, but surely, inched closer to other national/international transit systems, that already have more “convenient” services for their passengers, and that the MTA has been studying more and more over the decades.

            What critics of Japan’s massive post-World War II economic progress tend to forget is: the country basically grew from almost nothing back around 1945, to become “itself” these past few years. As such, it would basically require an ultra-modern transit system running to all parts, especially Tokyo, its largest city. A 2012 study between the Brookings Institute, a U.S.-based political “think tank” and the financial firm J.P. Morgan Chase, in fact, found that Tokyo had the fifth-highest number of air passengers worldwide that year, and air passengers usually need another form of transport to get to their eventual destination within Tokyo/some other nearby “suburb”, so where else would they go but a train to do so? The Brookings/JPMC study goes on to state on page 2 (of only 3): “The most recent phase in Tokyo’s global engagement reflects a self-belief about its role as a leading world city. In 1995 a new metropolitan regime ousted the World City policy doctrine and replaced it with a “resident-friendly” focus. New planning policies placed greater emphasis on local amenities and city image while also supporting the efficiencies of agglomeration within localized hubs. A big push to cultivate local SMEs was also made, with moderate success. The attraction of international business traffic and tourism has become a priority as city leaders became more self-consciously competitive. In 2011 the metropolitan government launched a Special Zone for Asian Headquarters to attract foreign companies with preferential tax treatment and generous packages of fiscal and financial support. This move reflects a reversal of the historic efforts to decentralize the capital, and instead endorses the capacity of an expanded central business district to fulfil diversified global roles.” (Brookings/JPMC; multiple authors/reviewers; 2012, 2)
            In his 1989 work Neighborhood Tokyo, Theodore Bestor, a sociology professor at Stanford University, described the growth of various Tokyo “wards” throughout the post-WWII 20th century, from more “rural” areas, to “suburban”, and, in some cases, to “urban” areas, all between about 1945 and (almost) 1990. According to his many interviews with everyday Japanese (specifically “Tokyoites”), describing the various “wards” in the Japanese capital would be similar to what “New Yorkers might have in mind when referring to Wall Street, Williamsburg (Brooklyn), and the West Village (Manhattan); or San Franciscans when talking of the Tenderloin (which, incidentally, was the name given to an even larger “red light district” in Manhattan circa 1880 – 1910), Nob Hill, and North Beach” (Bestor/Stanford University Press, 1989, pg. 1), although most of the people in those cities would most likely consider each “ward” in Tokyo to be part of the city as a whole, instead of all being individual, as the Japanese government, and most Japanese citizens, have generally considered the “wards” to be. While he acknowledges (N.T. pg. 4) that his visits to various said “wards” does not represent the entirety of neither Tokyo nor Japan, he took his various years’ worth of residence in Tokyo as a sort of “guide” to his “fieldwork”, something that not everybody, regardless of whether or not they have lived in a certain city/country, would probably be able and/or willing to do to document “daily life” there. Back then, Bestor notes 70 rail/subway stations throughout Tokyo, then part of the “Japan National Railways” banner, being government-owned-and-operated, although, since 1990, many different worldwide diplomatic/political events, and equally large sporting events, such as the 1998 Winter Olympics in Nagano, and the 2002 FIFA World Cup, co-hosted with South Korea, practically required the construction and opening of many more rail stations, to handle the tourists on hand for the events. As such, what was probably already seen as a “major” problem by residents, overcrowding, only grew in stature, despite the increased amount of subway stations, and increased amounts of departure/destination locations, and increased service, in an era where most worldwide transit operators have been cutting back on such due to financial difficulties.
As the city inevitably grew from “nothing” after WWII, obviously, more modern technologies would be needed to keep the transit system, by then renamed the “Teito Rapid Transit Authority” (“Teito Kōsokudo Kōtsū Eidan”), going 100%. Enter “BACnet”, a “state-of-the-art” (in 1970), a central control/security system controlling all of the technology in the then-new Tokyo World Trade Center Building. The current system as of 2004 contains the following features: “A fifth-generation central supervisory and control system was installed to keep the facilities in the building in good working order, to receive financial support from the New Energy and Industrial Technology Development Organization (a research and development organization funded by the Japanese government) for a building energy management system (BEMS), and to reduce energy consumption. The new system included several general purpose high-performance workstations connected to a TCP/IP network and an autonomous decentralized open building supervisory and control system using the BACnet protocol.” (American Society of Heating, Radiation, and Air Conditioning Engineers, Inc.; Toyoda, Takeji; November 2006; page B33/4) Just how does that pertain to trains, one might ask? “Equipment start and stop operations commanded by a B-OWS (building “operations workstation”) are done and confirmed as follows. The operation is initiated by changing the value of the Present Value property of a Binary Output object in a B-BC (building “controller”), and the B-OWS receives the confirmation that the operation occurred by means of a change-of-value message or an event notification message from the B-BC. If the value of the Present Value property is changed but this change is not reflected in the value of the feedback property of the same object within the permitted time period, the B-BC will notify the B-OWS of the command failure by means of the confirmed or unconfirmed event notification message.” (ASHRAE, Inc.; Toyoda; 11/2006; B36) The key phrase in there, obviously, being “start and stop operations”, since trains everywhere are held by such mechanisms, in case of natural disasters, as, in Japan’s case, earthquakes, or, in N.Y.C.’s case, blizzards (in the winter), or heat wave-related track fires, at all times of year, or, in a universal case, people thinking the trains arent moving at dozens of miles/kilometers per hour jumping down from the platforms, onto the tracks, risking their lives the whole time, in order to “test the system”.

Part of the new “international reach” provided by the Tokyo/other Japanese systems is, indeed, its commitment to multilingualism in as many of its stations as possible, in as many languages as possible, whereas the MTA system barely makes an effort even in Spanish, widely considered the “second language” throughout most of the “Big Apple”, with over one-third of the City’s population being of Hispanic/Latino origin just around the “turn of the new millennium”, according to page 7 of a 2004 report commissioned by N.Y. City Hall. In fact, the Tokyo Metro, at the very least, offers signage, definitely, in four languages: Japanese kanji first, then hiragana, before English, (simplified) Chinese, and hangul Korean, in that order. In such areas where stations are generally smaller, and thus less crowded, however, only the signage will be multilingual, and, even then, only bilingual, between Japanese and English, and, sometimes, announcements will be only in Japanese, although such a phenomenon also occurs on the occasional Tokyo Metro train, particularly around midnight, when most of the “crowd” will be either “late shift” workers, leaving sporting events, or other social “gatherings”, and, as such, fewer people in general will be on the trains, let alone foreigners/tourists being on the later trains. In addition to the bilingual announcements/multilingual signage around its stations, the Tokyo Metro, and all of its “connections”, including some of the “shinkansen” stations, have bilingual ticket vending machines, which can be switched from Japanese to English, and vice versa, with the exception of some train ticket/etc. purchases, and the stations themselves have a unique color/(single) letter/(double, as in “0x”) number system, such that people who are “monolingual” in any language, with the exception, perhaps, of languages with different/unique alphabets, can all navigate the stations with the utmost ease. Where the Tokyo Metro falls short of the MTA, however, is in having actual humans, as, on the Tokyo Metro, they are mostly either “maintenance” people, or “security” people; in the MTA subways, the lack of multilingualism/disabled services is more than made up for by the abundance of police officers from the NYPD/MTA itself/etc. Even on board the trains themselves, “live” announcers count off each individual stop along the various trains, and even occasionally announce holidays and other “special occasions”, as well as just general humor that most might consider to be too  “carefree” on public transport. Also around the “holiday season” (Christmas) since 2003, the MTA has brought out its special fleet of “’Holiday’/’Nostalgia’ Trains”, “dressed” completely in holiday décor from various eras of the system’s history, from the 1930s through to the 1970s.

Throughout fairly recent history, both the Tokyo Metro, and various other rail systems throughout city (Tokyo) and country (Japan) alike, as well as MTA New York City Transit, have put the vast majority of their efforts toward improving neighborhoods throughout both cities/”metro areas”. The MTA got its start first, with about 20 years’ “head start” on the Tokyo Metro, at least, but, since the late 1920s, when the “Tokyo Underground Railway” started, and especially since the privatization of  “Japan Railways” into “Central/East/West” in 1987, has far outpaced its N.Y.C. counterpart in terms of technology, not including the 1970s and ‘80s, when MTA equipment experienced almost daily break downs, and when massive crime sprees kept passengers from riding the trains that did (more or less) work to a somewhat normal extent, by those decades’ standards. On the “service” front, however, the systems are somewhat more even than in terms of technology, although, again, it’s “advantage: Tokyo Metro, et. al.”, due to the stations making Japanese/English announcements, and having displays in Japanese, English, (simplified) Chinese, and Korean, in that order, whereas the MTA relies more on its “people” to make announcements, along with keeping 20th-century-era “booths” in its stations to serve as many passengers as possible, on a daily, “24/7” basis.

REFERENCES/WORKS CITED:
Bestor, Theodore C. Neighborhood Tokyo. Palo Alto, CA: Stanford UP, 1989. 1+. Print.
Kawanago, Shinichi, and Andrew Stevens. "The 10 Traits of Globally Fluent Metro Areas: Tokyo" Rep. N.P.: Brookings Institute/J.P. Morgan Chase, 2013. Web. 10 July 2015. <http://www.brookings.edu/~/media/Multimedia/Interactives/2013/tentraits/Tokyo.pdf>.
"The Newest New Yorkers 2000" Rep. N.Y.C.: Department of City Planning, 2004. Web. 10 July 2015. <http://www.nyc.gov/html/dcp/pdf/census/newest_new_yorkers_2000.pdf>.
Toyoda, Takeji. "BACnet in Tokyo" Rep. N.P.: American Society of Heating, Refrigerating and Air-Conditioning Engineers, 2006. Web. 10 July 2015. <http://www.bacnet.org/Bibliography/BACnet-Today-06/28890-Toyoda.pdf>.


6/23/15

comparing/contrasting the Venezuelan/Zimbabwean economic situations with historical hyperinflation "episodes"

In checking around the "deep Web" a few days ago, I found yet another update on Zimbabwe's ongoing economic meltdown of just epic proportions:


...which mentions that the "Zimbabwean $", for (more than) what that's worth now, will be "phased out" in the foreseeable future, to be "replaced" by various currencies, like our $, the British £, the Euro, the Chinese/Japanese ¥, and other international currencies... Apparently, however, I've noticed in some places that they introduced these small-valued "centavos" (the Spanish word for "cents"/"coins") last year, effectively keeping their (worthless) $ going, albeit only in coin form, unlike practically all other currencies, regardless of whether or not they use coins and notes, or either or...


...that being said, the numerous comparisons to other inflated/hyperinflated currencies of old, like Weimar Germany (1920s), most of Latin America, especially 1970s-90s Brazil, and their cruzeiro (the Portuguese word for "cross") (https://www.youtube.com/watch?v=boE_xlkBcJM&list=FLRgGN7E7EWySO2r7NcFtULQ&index=53 for an old supermarket commercial from back then that, I think, best explains that whole crisis), among others, have continued as a result of that still-breaking news...

http://www.cato.org/pubs/dpa/html/dpa6/dpa6index.html (a Cato Institute report on Zimbabwe's "growth" ever since they (supposedly) ditched their currency)

most "conspiracy theorist" types out there, though, think that somehow, as a result of what's ongoing in the rest of the world right now (North America, Europe, over here, and down in Australia/New Zealand) (mostly due to various government practices, yet these people keep voting in such radicalswith their votes, like Greece (the neo-Nazi "Golden Dawn", or the current far-left "ruling party" there, "Syriza", or Hungary (the also neo-Nazi "Fidesz") right now, for instance), there'll be some sort of "reset" of the world's currencies, and that, again, somehowthose places will soon experience similar situations, while those other places that have experienced/are experiencing such meltdowns will somehow be "prosperous" "soon"...

​...I don't know how long it's been since any of you last studied/taught/otherwise followed, if ever, any non-sports economics, or any (non-"spin zone") politics in general, but I'm sure you've continued to follow such situations ever since any new developments in whichever stories...

I like to think of stuff like this as an important "buffer" against all the "crazy talk" in the media (particularly the "fringe" "new media", where most of those "conspiracy theorists" tend to emerge, or, even, sadly, our "talk radio" landscape, promoting such fringe "ideas") about economics:
...mind you, that report is from a left-leaning website, but at least it's not all "doom and gloom", like the just aforementioned groups...

https://www.youtube.com/watch?v=boE_xlkBcJM (for an example of what I just referred to, RE: 1990's Brazil)

I know some of you most likely just called Robert Mugabe's actions in control of Rhodesia/Zimbabwe these past decades "criminal" after reading the above part of this post, but, for those of us who claim ancestry/heritage/etc. from any Latin American country, that Brazilian example, in terms of historical economic free falls, and the Venezuelan example, in current times, in spite of the sheer size of the inflation figures there, both pale in comparison to the fact that military governments were everywhere up and down and across the continent last century - no wonder so many of them/us are on other continents now - it's because of those governments stifling just about every semblance of life down there back then! I mean, at least in 1920s "Weimar" Germany, the government was at least trying to help its citizens, more or less, and just failing spectacularly at doing so, since the country was still paying off its WWI losses... Argentina, Brazil, Chile, the 2 "Guays", Peru, etc., etc., however - between the "disappearances" in (mostly) Argentina and Chile, and the (hyper)inflation in (mostly) Brazil and Peru, life was basically a "living ****" for them back then!

specifically, in Peru, where (most of) my family is originally from, the currency in use now has the same name as their second post-Spanish independence currency (the "sol", abbreviated "S/"), but, from about 1980 on through the rest of that decade, inflation kept creeping ever higher - 1979 and 1981 saw the introductions of S/10.000 and S/50.000 banknotes, in fact, indicating the mere beginning of the country's inflationary crisis, but there's a report here https://prezi.com/tt_9lv1dhytc/inflacion-en-el-peru-1980-1990/ that indicates, among other things:

"SOCIAL
Huelgas , desabastecimiento , violencia, especulación.
Micro empresas en colapso.
Barcos en los puertos se negaban a descargar los productos hasta que no se les pague.
Divisas se agotaron por el mal uso.
En 1883 el fenómeno de el Niño daño a la agricultura e infraestructura vial.
En la sierra la salida de los Señores de la tierra dejo a las sociedades rurales descabezadas socialmente, sin nadie que ocupara su lugar y reactivara la producción."

('social' (causes of the inflation): strikes, stock withdrawals/"selloffs", violence, speculation. Collapsed small businesses. Ships in ports not unloading their cargo/products until they were paid. The currency was only further harmed by misuse. (stuff about "el Niño" and other (historical) climate/weather phenomena, and their (historical) effects on the population)

"ECONÓMICO
Tazas de interés se elevaron en países acreedores, incrementando las cuotas de los países deudores.
Escasez de divisas .
Devaluación de la moneda.
El dolar de EE.UU ,se cotizaba en 12000 soles ---gobierno militar 200 soles."

('economic': interest rates were elevated in creditor nations, incrementing the quotas for their debtors. Scarcity of banknotes/currency. Devaluation. The U.S.$ settled at S/12.000 - for the military government itself, only S/200.)

"POLÍTICO
Situación crítica y compleja por efecto de las drásticas medidas , la reducción de ingresos, estatismo de la banca , incremento de la burocracia
POLÍTICO
Política caudillista , egocéntrica y extremado centralismo en la política
ECONÓMICO
la protección a la industria nacional fue incrementada con altos ancéles, controles de importaciones y prohibiciones
Inflación dejada por Belaúnde (100%) trato de ser combatida de manera heterodoxa , con controles de precios, devaluaciones selectivas y congelamiento del tipo oficial de cambio
Llego a existir mas de media docena de tipo de cambio, según el uso que se les dieran a las divisas
estas parecían medidas intervencionistas permisibles.
El sol fue reemplazado por el inti (100 soles = 1 inti).
Reducción de la inflación a un 60%.
Salarios reales aumentaron.
La política del control de precios y congelamiento de tipo de cambios se prolongó, mas allá de lo recomendable.
Perù dejo de ser sujeto de crédito internacional para importantes agencias de cooperación como:
Banco Interamericano de Desarrollo, Banco Mundial.
Agotamiento de las reservas del Perú.
Deuda externa aprox. Veinte mil millones de dolares.
Remuneraciones y consumo percápita por debajo del 50 %.
La producción agrícola nacional cayó ostensiblemente y la importación de productos aumentó un 49 %."

('political' 1: A complex/critical situation was created by effect of the drastic measures taken (by the military government). Wage reductions; banking 'statism', the incrementation of the 'bureaucracy')
(2: Caustic, egocentric, and incredibly centralized governance)

(more 'economic' causes: Protections for national industries were steadily removed through import controls and prohibitions. Inflation under (Fernando) Belaúnde (Terry, a top post-military 'junta' leader/President in the early 1980s) reached 100%+, and was attempted to be combatted in an "unorthodox" manner, with price controls, selective devaluations, and freezes on the official currency rates. There came to be over a half dozen types of official currency types, according to its overall use; as a result, the sol was replaced by the inti (I/) (in 1985), and inflation was thus reduced to about 60%. (Real) Salaries were increased. The policies of price controls and currency "freezes" were prolonged, beyond (most) recommendations. Peru was no longer subjected to the will of international creditors for important cooperation 'agencies' such as: the InterAmerican Development Bank; the World Bank; among others; resource reserves also increased. External debts numbered almost $20B. Remunerations and per-capita consumption fell below 50%. Agricultural production decreased by tons, and product imports increased 49%.)

"SOCIAL
El nivel del subempleo ascendió a un desastroso 73 % al término del gobierno aprista.
El número de horas perdidas por conflictos laborales con el gobierno,aumentó de 6 millones en 1985 a 124 millones en 1990.
El Grupo Andino redujo la inversión en el Perú
Inflación de 2,178.482 % considerada una hiper inflación y la mas alta a lo largo de la historia peruana y mundial."

(more 'social': Underemployment grew to a disastrous 73% at the end of the APRA (basically, the radicalleftist, version, back then, of what Venezuela is "living through", or perhaps "scraping by" would be a better term...) government. The # of hours lost due to labor conflicts with the government grew from 6M in 1985 to 124M in 1990. The Andean Group reduced its investments in the country, and inflation reached 2,178.842%, considered hyperinflation, and the largest in all of Peruvian and world history (back then, obviously, since the other situations have all rocketed past that % since then...)

There's more at the bottom about the consequences of all that stuff over in Brazil, but I already showed you an example of that meltdown, didn't I?

https://www.youtube.com/watch?v=IGXlYNOUtK0 (for another example from 1990's Brazil)

6/6/15

an exposé on a famous (classical) jazz album

Throughout the course of history, most music genres have been seen as more “brash” and/or “overpowering”, not necessarily always allowing people to “think” about what message is being sent by some song(s). Jazz, however, seems to have avoided the “stereotyping” that most other genres have received, due to (generally) not containing many, if any, lyrics, and just letting the music stand on its own. One such album that almost perfectly captures the “thought-provoking”-type sound that most jazz has given us over the years was a 1959 album by trumpeter Miles Davis titled Kind of Blue, which had apparently been in the works for years (behind the scenes) prior to its eventual release to radio stations nationwide. It was recorded with many different contemporary jazz musicians, allowing many different styles to be heard by listeners who perhaps might have been looking for something with some “variety” in some album of that type. Despite its “depression”-type name, the album was almost entirely filled with more “upbeat” instrumental backings, hinting at a relatively easy process for the performers, and an almost “triumphant” lead out of the 1950s, wherein the only major world event was the Korean War, and into the civil rights’ movement of the 1960s, of which Davis would end up being a major proponent, mostly through his music, although also through his activism.
(SIDE NOTE: this happened right before recording started on what would later become Kind of Blue, and sort of “set the tone” for the rest of the civil rights movement, while also simultaneously infuriating the jazz community)
In August 1959, Davis and his world-famous “quintet” (separate from his recording group) were performing for the military inside the Birdland nightclub in midtown Manhattan. As he was leaving the nightclub after the performance, he was reportedly told by a few NYPD officers to “move on” while escorting a blonde woman across the street from the nightclub. After Davis tried to get out of the argument by telling the officer that he was a worker there, the officers chased the woman away from the scene, and arrested Davis for 3rd-degree assault. As a result of the arrest, Davis was suspended from performances at all N.Y.C. jazz clubs until further notice, and was forced to plea bargain his way out of an N.Y.C. prison to get back to being able to perform in the City once again after those few weeks/months on suspension. Davis soon accused the officers to the Baltimore Afro-American of setting a “double standard”, in so many words, for themselves, and then for everybody else:
“It’s ridiculous to think I grabbed his nightstick. You cant just take a gun or nightstick away from a policeman. If I had ever taken his nightstick from him, I wouldn’t look like this (points to bandaged forehead).” Davis complained in his autobiography that the aftermath of the arrest and trial/acquittal had “changed my whole life and whole attitude again, made me feel bitter and cynical again when I was starting to feel good about the things that had changed in this country.”, and, for the most part, the African-American and jazz communities agreed that, since the civil rights’ movement was roughly halfway between Rosa Parks’ famous “bus seat refusal” in Montgomery, Alabama, and the desegregation of public schools/Little Rock, Arkansas National Guard intervention/passage of the Voting Rights Act of 1965, they were in need of a more “upbeat” album/set of tunes to get them through ordeal after ordeal they faced back then.
For most musicians/band members recording an album along the lines of Kind of Blue, such would most likely be considered the most upbeat of their solos/albums. For Davis, however, the opposite appeared to be true: his previous solos/albums were more upbeat than Kind of Blue, owing to their styles in and of themselves, according to saxophonist John Coltrane in a 1958 interview during the production process for the album…:
“On returning… I found Miles in the midst of his musical development. There was one time in his past that he devoted to multi-chorded structures. He was interested in chords for their own sake. But, now, it seemed that he was moving in the opposite direction to the use of fewer and fewer chord changes in his songs…”
…and by Davis himself, in a different 1958 interview with Nat Hentoff, then running his own magazine, The Jazz Review:
“When you’re based on chords, you know at the end of 32 bars that they have run out and there’s nothing to do but repeat what you’ve just done – with variations. I think a movement in jazz is beginning away from the conventional string of chords… There will be fewer chords, but infinite possibilities as to what to do with them. Classical composers – some of them – have been writing this way for years, but jazz musicians seldom have (up until then).”
Davis’ comments signaled that he would continue the style started only about a year earlier, in one of his 1958 singles, “Milestones”, which had more of a “modal” style, instead of the more upbeat tone of “bebop”/”hard bop” of his previous singles/albums, prior to 1958: not quite as “mellow” as “cool jazz”, yet definitely more designed for “outings”, with its overall faster pace than “modal” jazz. “Bebop”, in its time, was routinely described as such things as “memorable”/”planned”/”short” (Michael Cuscuna, jazz producer), and also as an “anagram of blues and gospel” and “vigorously creative” (David H. Rosenthal, in his jazz “exposé”, Hard Bop). On the other hand, Dirk Sutro, in Jazz for Dummies (another installment of the “intro series” to (insert topic here) that has become popular with people learning about topics), described “modal” jazz as (more qualitative traits 1st, then more quantitative traits):
-       typically CDEFGAB, with “C” starting everything off
-       Bappearing less often than those notes
-       C “Ionian” being the dominant note above all others
-       C/F/G/A/D/E all being present on the “pentatonic scale”
-       Slow-moving, yet not quite as slow as “cool jazz”
-       More “harmonic” than any other jazz styles
-       More “melody” than “progression”/”transition”
-       More use of bass pedals, multiple keys being played at once (“polytonality”), and “droning” sounds, where the same note gets extended longer than usual
To that end, the album’s 1st track, “So What”, started off with every “D” note (known as “Dorian mode”), transitioning to E “Dorian”, and then back to “D” “Dorian” – overall, in the same structure used mostly in rock music, but also, perhaps most famously, in a certain tune from the Wizard of Oz “soundtrack”. Continuing on, “Freddie Freeloader”, featuring the fast-paced piano work of Wynton Kelly, was mostly B, and progressed into A7 near its end, instead of the more typical B7. “All Blues”, the 4th track, owing to its name, was played in 6/4 time, exclusively featuring 7th chords, and an E7 in a “G” key, with a “vamp” noise reverberating from the bass throughout the tune. Last but not least, “Flamenco Sketches” technically has no melody, yet pianist Bill Evans is usually credited with giving the tune its 4-bar Cmajor7/G9suspended4 form, with “C”, “A”,B”, and “G” notes being played throughout the tune. Overall, the album almost perfectly encapsulated what Davis and the rest of his “crew” wanted from the album: a slower pace than any of the performers’ previous works, particularly any of Davis’ works, since he was the almost undisputed leader of the recording group, despite not having his quintet to support him at too many points in the recording process.
            Davis himself noted the significance of Kind of Blue in a 1986 interview with jazz pianist-turned-NPR host Ben Sidran, on his show, “Sidran on Record”:
"’So What" or Kind of Blue, they were done in that era, the right hour, the right day, and it happened. It's over [...]. What I used to play with Bill Evans, all those different modes, and substitute chords, we had the energy then and we liked it. But I have no feel for it anymore—it's more like warmed-over turkey.”
Davis might have dismissed his own work, but others certainly didn’t, as evidenced by the rankings for the album over the years:
-       1977: Billboard Jazz #37
-       1987: Billboard Top Jazz #10
-       1994: Colin Larkin, author of Top 1000 Jazz Albums: #1
-       2001: Billboard Top Internet #14
-       2002: Library of Congress – 1 of 50 “culturally significant” recordings selected for historical preservation that year
-       2003: Rolling Stone “500 Greatest Albums” list - #12
-       12/16/09: U.S. House of Representatives voted unanimously (409-0) to “affirm” the album as a “cultural national treasure”
-       gold in Belgium
-       platinum in Australia/Italy/the U.K.
-       quadruple platinum over here in the U.S.
…why not let an 8/1/01 article from NPR’s “Jazz Profiles” finish this?

“Musicians from all genres perform, record and study the album's songs, and the influence of the songs on culture beyond music continues to grow. Drummer (Jimmy) Cobb says it all comes down to simplicity — the reason Kind of Blue has remained so successful for so long, and because of its inherent balance, historian Dan Morgenstern adds, the album never wears out its welcome.”

5/12/15

chapter 6: Yobito-san's major league distractions

     While all the ruckus was taking place at both Narita Airport and Tokyo Station, Yobito-san was nowhere to be found; it was presumed that he had escaped the task force-vs.-dual syndicates-standoff right around the time Shinoda called in the Mexican drug cartel troops to shut down as many of the exits of Narita Airport as possible. Apparently unaware of the ongoing situations unfolding with both sets of opposing groups, he headed off to the Tokyo Dome to catch the international matchup featuring the Yomiuri Giants and the Lotte Giants, from Busan, South Korea, before another sellout crowd of 46,125 that was even more unaware of the dual political crises than he was. The game started off as a "pitchers' duel" through its first 4 1/2 innings, with both teams combining for four hits (two apiece) off starting pitchers Toshiya Sugiuchi and Song Seung-jun; after that, however, with Yomiuri shortstop Hayato Sakamoto hitting a three-run homer off Seung-jun in the bottom of the sixth inning, knocking him out of the game, and catcher Kang Min-ho answering with a two-run shot of his own for Lotte in the top of the seventh inning, causing him to also get pulled from the game in favor of a bullpen pitcher. Entering the game in the bottom of that inning in relief of Seung-jun, "sidearmer" Chong Tae-hyon promptly shut down the Yomiuri bats, and Jim Adduci hit another three-run homer for Lotte to give them a sudden 5-3 lead after almost five full innings of almost no offense whatsoever. That lead held, as Tae-hyon continued his mastery of Yomiuri, giving the South Korean visitors what would become a 6-3 win, with Min-ho hitting his second homer of the game, a solo shot, in the top of the eighth inning to seal the win once and for all. Immediately following his team's win in its impromptu visit to Japan, Lotte manager Lee Jong-un was informed by another CIA agent, Rick Ableton, about the ongoing situations, and pressed to return to South Korea A.S.A.P.:
          "Mr. Lee... There's been a set of standoffs unfolding throughout your team's time here, and it was recommended by one of my fellow agents in the middle of one of the situations, Dean Hannelman, that you return, preferably to Seoul, before either of the situations spreads through any other parts of Tokyo, and escape the worst of these crises."
     Given the "distraction" nature of baseball in both countries, Lee was, naturally, reluctant to evacuate his team so soon, but after agent Ableton informed Yomiuri manager Kaoru Okazaki of the same crises, he returned to Lee to make another pitch for the team's safety, and he accepted that offer to get evacuated from Tokyo by the authorities. As soon as both teams, the Yomiuri fans comprising the majority of the 46,125 in attendance, and the Lotte fans traveling in from Busan and Seoul were all safely evacuated from the Tokyo Dome immediately following the game, the CIA agents showed up to survey the area for any potential secret yakuza activities, since the members might very well have used the guise of having the game going on around them to set up their nefarious plans. Once they found no visible evidence of any "pre-planning" by any yakuza members, the agents suddenly got a surprise phone call from Yobito-san, who was somehow still roaming inside the Dome, wondering, more or less, "where the game had gone":
          "I just sat through this whole game, expecting there to be the usual post-game activities inside and around the Dome, including the Tokyo Dome City outside... Where is everybody?"
  (A): "Forget about any of those "post-game activities" this time around... What's more important is that you either stay far away from any areas of this building normally "open to the public", or leave now, in order to ensure your continued safety!"
 (H):   "If I were you, I would stay out of the line of sight of anybody with even a hint of tattoos, 'cause as I'm sure you very well know by now, that's how "they" get their targets - they look for people wandering around by themselves, and they smuggle 'em off to nobody-knows-where for the horror show of their lives!"
          "So, does that mean I'll have to avoid the box office, press box, stands, and other "open" areas of this dome for the time being, if I'm not already outside before then?"
  (A):  "If you do get caught, you might as well-"
  (H, interrupting): "...forget about your life!"
  (A, taken aback by said interruption): "...uuuummmmmm... just do what my counterpart just told you, and you should be just fine..."
          "I think I might as well flee the premises, then, before any of my former men notice me trying to avoid them deep inside this building..."
     Meanwhile, in the aforementioned Tokyo Dome City just outside the Dome, there was a somewhat hastily assembled gathering of FARC rebels, led this time by Joaquín Gómez, whose faction within FARC, the Southern Bloc, was reportedly responsible for former Colombian Senator Ingrid Betancourt's 2002 kidnapping, the 2003 car bombing outside El Nogal nightclub (popular with visiting businesspeople and diplomats), and just the most overall conflicts with various Colombian governments, to plan the group's infiltration of the Dome:
          "Oye, señores del FARC! Si nuestra plan de infiltración de este Dome sera exitoso, tendremos de ejecutar nuestra comunicación con los japoneses 'al pie de la letra'! En seguir hacia al dentro de esta maravilla de la ingeniería, nosotros, en paralelo con los del 'yakuza', buscaremos al palco donde la prensa se ocupa en todos los juegos de beisbol, los conciertos, y toda esa *****, y trataremos de robar todos los equipos de transmisión en ese palco de la prensa, para poder burlarse de todos los ratones de todos los equipos de todos los leyes habidos y por haber, tanto japonés como colombiano, estadounidense, ya los saben... Así que '¡a entrar!' ha sido declarado!"
     Due to the FARC rebels' sudden movements into Tokyo, the law enforcement agents were initially caught off-guard, but, once word arrived into the combined team's headquarters in a top secret location inside Narita Airport, which could not, try as they might, get found out by the rebels, they scrambled all of their people, leading to the start of an all-out offensive on both sides in the middle of the Japanese capital...